生於1979年，旅法畫家，美學博士，畢業於法國巴黎第八大學造型藝術學院和巴黎高等藝術學院。現為巴黎高等藝術學院副校長。他在英國畫家佛朗西斯·培根肖像畫方面進行了大量的研究。在哲學、美學、藝術史和油畫方面有一定研究成果。藏淵曾多次參與展覽，包括法國秋季沙龍以及戛納的當代藝術展，2014年美國邁阿米國際藝術博覽會，2019年西安第六屆國際絲綢之路藝術節暨“真相&意象”—法國當代藝術雙人展，2020年天趣“藏淵：味象之淵”個展，及2021年與五位中法藝術大師共同參與“光的足跡”法國藝術大展。並榮獲2013年歐洲當代藝術學院展銀獎，2014年國家當代藝術學院競賽藝術成就獎，2015年法國戛納當代藝術展摩根城市獎等殊榮。

藏淵將生命態度注入作品中，他的作品以絢爛的色彩、模糊的輪廓和爛漫的詩意呈現出奇異的、如幻象般的風景。受法蘭西斯•培根的影響，他在作品中構築的「空間」打破了既定的框架，賦予它「無限」之感，與此同時融合了中國西北的慷慨豪邁和西方現當代藝術抽象的語言形式，更是向輝煌的唐宋文明表達了敬意，達到「詩中有畫，畫中有詩」的境界。

Born in 1979, French-based Chinese painter, holder of Doctorate in arts. He studied at the School of Plastic Arts at Paris VIII University and then at the Ecole Supérieure Libre d'Art de Paris (ESLAP) where he obtained the National Diploma of Doctor in plastic art. Currently he works as Deputy Director of the Ecole Supérieure Libre d'Art de Paris (ESLAP). Cang specialized in the study of portraits of the British painter Francis Bacon. He has also accomplished a series of research in philosophy, aesthetics, art history and oil painting. He has participated in numerous exhibitions including Salon d'Automne and Contemporary Art Cannes Biennale, American Miami International Art Fair (2014), the 6th Silk Road and International Arts Festival and “Truth & Imagery” - Franch Contemporary Art Exhibition (2019), Art of Nature “Cang Yuan: Aesthetic Essence” solo exhibition, and “The Path of Light” French Art Exhibition with five French and Chinese masters (2021). Cang was awarded the Silver Medal of the Exhibition of the European Academy of Contemporary Art (2013), Art Achievement Award of the National Academy of Contemporary Art Competition (2014), Morgan City Award of Exhibition of Contemporary Art in Cannes (2015).

From Xi'an to Paris, Cang delivers his attitude and pursuit of perfection in his works through his life experience. His works present a bizarre, phantom-like landscape with gorgeous colors, fuzzy outlines and poetic languages. Influenced by Francis Bacon, the "space" Cang creates in his works breaks through the framework and gives it a sense of "infinity". At the same time, he fuses the heroic temperament of Northwest Chinese with the Western contemporary abstraction. Because of his academic background on both philosophy and aesthetics, Cang’s new research emphasizes on artworks’ aesthetic function and purity of vision while pursuing and discovering the artistic value of creation.