Across decades of practice, Gu Yue has worked at the intersections of geography, culture, and identity, transforming lived experience into a sustained exploration of boundaries. Shaped by his movement between Mainland China, Hong Kong, and Macau, his work engages traditional cultural lineages, everyday perception, and critiques of globalization through a distinct visual language. 

As Gu Yue's first solo exhibition in Hong Kong, Boundaries presents key works from the past twenty years across seven thematic sections, spanning sculpture, installation, and painting. Highlights include Laocoön, which juxtaposes Greek mythology with Buddhist imagery; the Screen Reading and Game Space Series on screen-based life; and Deconstructing the Original, which reconfigures classical literature. Together, these works frame boundary as both method and condition. Balancing reflection and transgression, convergence and independence, within an evolving cultural landscape.

顧躍數十年的創作實踐與生命軌跡，始終穿行在多重邊界的交匯處：從國家博物館的體制內研究，到澳門科技大學的跨語境教學與創作，從內地文化場域到港澳中西交匯的邊緣空間，肉身的遷徙與身份的轉譯，使「邊界感」從生存體驗成為顧躍的創作母題。

作為顧躍的首次香港個展，「邊界感」以七個單元呈現藝術家近二十年來的核心創作，涵蓋雕塑、裝置與繪畫等多元媒介。《「拉奧孔」》裝置以希臘悲劇的神話對接東方佛頭的慈悲意象，《讀屏》《遊戲空間》系列直面屏幕生存的日常性，《解構善本》系列對古代典籍的切割與重組。藝術家以作品呈現對於多重邊界的視覺思辨——真正的邊界感，是在跨越中持守反思，在融合中保有獨立，在流動的人類符號秩序中，建立起兼具思想縱深與人文溫度的認知坐標。